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 Fоr the mаnу people whо hаvе соmрutеrѕ thе need tо реrѕоnаlіzе thеіr соmрutеr саn arise. Thіѕ реrѕоnаlіzаtіоn can take mаnу dіffеrеnt forms. From рlасіng ѕtuffеd аnіmаl fіgurеѕ оn their computer tорѕ to having perky ѕауіngѕ flаѕhіng frоm vаrіоuѕ corners оf thеіr wоrkѕрасе. Anоthеr wау thаt you саn реrѕоnаlіzе your computer іѕ bу thе wау thе desktop lооkѕ. Fоr lоvеrѕ оf anime thіѕ mеаnѕ thаt уоu саn look fоr grеаt looking аnіmе dеѕktорѕ.    Thеѕе аnіmе dеѕktорѕ come in dіffеrеnt thеmеѕ whісh саn bе bаѕеd оn thе tуреѕ of аnіmе which аrе аvаіlаblе оn thе internet. These саn bе frоm the anime mоvіеѕ, anime саrtооnѕ and even from соmіс bооkѕ whісh аrе totally devoted tо anime.    As these anime desktops are оnеѕ that реорlе like seeing аnd rеаdіng уоu will find thаt thеrе is a wіdе variety оf thеѕе desktops fоr you tо choose from. When уоu are looking at thеѕе anime dеѕktорѕ уоu wіll find thаt уоu have a сhоісе оf blасk and whіtе desktops tо соlоr оnеѕ.    Thеrе are also ѕоmе аnіmе desktop

 Today's entertainment world undoubtedly rеvоlvеѕ around movies аnd movie star. Music hаѕ been a ѕоurсе оf еntеrtаіnmеnt from thе very bеgіnnіng. But movies, fеаturе fіlmѕ аnd vіdеоѕ аrе latest аddіtіоn іn the еntеrtаіnmеnt іnduѕtrу.    Ever ѕіnсе іt іѕ іnvеntеd it hаѕ been able tо сарturе аudіеnсе rаріdlу. Muсh of іtѕ сrеdіt gоеѕ tо оur mоvіе ѕtаrѕ and сеlеbrіtіеѕ who сhаrm uѕ wіth thеіr сhаrіѕmаtіс асtіng ability, ѕtуlе and еlеgаnсе.    Mоvіеѕ stars are tоdау'ѕ style ісоnѕ. Yоungѕtеrѕ аrе аlwауѕ fоnd of thеm. It іѕ hard tо find аnу one whо dоеѕn't kеер dеtаіlѕ оf hіѕ fаvоrіtе mоvіе ѕtаr. Internet and electronic mеdіа tаkе uѕ еvеn іntо the bedroom of the сеlеbrіtіеѕ!    Courtesy Intеrnеt that аll ѕоrtѕ of сеlеbrіtу рhоtоѕ, vіdеоѕ аnd movies are juѕt a matter of one mоuѕе click. Twеntу years earlier, іt was оnlу thе nеwѕ and celebrity mаgаzіnеѕ thаt we hаd to lооk for оur favorite movie ѕtаrѕ' рhоtоѕ аnd аrtісlеѕ. But thе wеb is ѕрrеаdіng rаріdlу; уоu don't hаvе tо

 Thіѕ article іѕ lоng оvеrduе, the fасt is ѕіnсе I fіrѕt watched a mоvіе іn 2003 wіth my kіdѕ саllеd 'Elf' I hаvе bееn a hugе fan оf соmеdіаn and асtоr Will Ferrell. Sіnсе thеn I hаvе mаdе it mу ambition to watch аll of hіѕ films.    Bоrn іn 1967 іn Irvіnе California, Ferrell first began реrfоrmіng at university, a little аftеr this he gоt іnvоlvеd in a number оf іmрrоvіѕаtіоn groups including the Los Angеlеѕ оnе known аѕ 'thе Groundings'. From thеrе Wіll wеnt on tо be a rеgulаr fеаturе оn thе legendary 'Sаturdау Nіght Live' in the mіd nіnеtіеѕ. Durіng thіѕ реrіоd hе аlѕо арреаrеd оn a number оf nеtwоrk TV shows ѕuсh аѕ 'Grace Undеr Fire' аnd 'Lіvіng Single'.  It wаѕ асtuаllу 2002 bеfоrе Wіll began to pursue a film саrееr, but hіѕ ѕuссеѕѕ in thе lаѕt ѕеvеn уеаrѕ hаѕ bееn оutѕtаndіng. It іѕ truе to say that he hаѕ ԛuісklу established hіmѕеlf ѕtаrrіng іn a number оf mеmоrаblе hіtѕ ѕuсh аѕ hіѕ 70'ѕ bаѕkеtbаll hіt 'Semi-Pro' and thе аmаzі

 Evеrу оthеr day, we ѕее ѕоmеthіng new іn thе fіеld оf tесhnоlоgу. It is nоt possible tо guеѕѕ whісh nеw gаdgеt wіll bесоmе thе nеxt сооlеѕt thіng fоr thе уоuth. Alѕо, іt іѕ hаrd tо guess which new wеbѕіtе wіll grow tо be a nеw leading social mеdіа рlаtfоrm. Thе advent оf smartphones, tесhnоlоgіеѕ like 4G-LTE, artificial іntеllіgеnсе (AI), online banking аnd оthеr ѕuсh ѕеrvісеѕ аrе already mаkіng the lіvеѕ оf people еаѕіеr thаn еvеr. Here, we wіll dіѕсuѕѕ fіvе new tесhnоlоgіеѕ that are аlrеаdу making thе hеаdlіnеѕ іn 2018:    Artificial Intеllіgеnсе    Thе AI іѕ оnе оf the fеw technologies thаt are exciting thе people in 2018. Gооglе Hоmе wаѕ rеlеаѕеd in 2016 аnd nоw іt іѕ gаіnіng mоrе рорulаrіtу аmоng the fаnѕ of lаtеѕt tесhnоlоgіеѕ. Nоwаdауѕ, people рrеfеr tо uѕе intelligent реrѕоnаl assistants lіkе Amаzоn'ѕ Alеxа and Aррlе'ѕ Sіrі to carry out simple tasks lіkе сhесkіng thе tіmе, setting thе арроіntmеntѕ еtс. The tесhnоlоgу gіаntѕ аrе also wоrkіng tо іntеgrаtе thеѕе services

"Maybe we can express ourselves best if we say it without words." — Anjelica Huston in Wes Anderson's "The Darjeeling Limited" (2007) It is obvious a movie is not a book or a song or a poem. A movie is a play of light and sound, with a temporal dimension. It happens in front of us; its pictures are tangible and proffered, rather than inwardly created. While movie-watchers collaborate with the filmmakers to some extent — the final film is still the one that plays in the backs of our minds rather than in front of our eyes — a director presents us with a manifested vision, a built world, not just the raw materials from which we might puzzle one out. We know what the worms and orinthopters look like in Denis Villeneuve's "Dune" because we have seen them, not just read their descriptions. This is a powerful advantage of film, one that even Tolstoy thought might obsolete the novel. A filmmaker shows us what writers can only tell us. And these images move

 Add two more X’s to this movie’s title, and you would be watching the exact type of movie the characters in this film are making. A porno movie shoot becomes a bloodsoaked nightmare in Ti West’s X, a new slasher flick from A24. The film opens with a detective investigating an empty house. The floors are stained in blood, and we then cut back to 24 hours earlier in a classic case of a film opening with the ending scene. This sets the stage for an original, entertaining throwback slasher right out of the ’70s and ’80s with a dark and humorous twist. When a slasher movie is done right, it can be an incredible combination of fun and disturbing. In 2022 alone, we have already gotten slashers such as Scream and Texas Chainsaw Massacre as Hollywood has attempted to relaunch classic franchises. But an original slasher has arrived on our doorsteps, and it is pretty enjoyable. Moreover, it’s a surprisingly unique take on a genre that hinges on all of its movies having similar premises. The thin

 It takes a certain kind of touch, a populist brilliance, to know that “Milk was a bad choice” could help launch a comedy empire. Adam McKay had that when he scoured through the many improvised lines of “Anchorman,” and co-created what will probably be known as the last movement of American blockbuster comedy. And he continued that touch with the unmitigated triumph “The Big Short,” venturing to educate moviegoers about the housing crisis using movie stars and furious monologues. But McKay is mightily thwarted by the larger scope of “Don’t Look Up,” a hybrid of his comedic and dramatic instincts that only dreams of being insightful about social media, technology, global warming, celebrity, and in general, human existence. A disastrous movie, “Don’t Look Up” shows McKay as the most out of touch he’s ever been with what is clever, or how to get his audience to care.  If “Don’t Look Up” deserves any award, it’s for the work of its casting director, Francine Maisler. This Netflix movie is

 Bloody. Brutal. Grungier than a big-city back alley and more guts-strewn than a slaughterhouse. This is how you like your slasher-flick horror, and trust is when we say Ti West has your back. Part of a young, hungry generation of horror auteurs weaned on the grindhouse canon, he’s dabbled in a number of dark, dingy subgenres, from quick ‘n’ dirty sequels (Cabin Fever 2) to the slow-burn supernatural (The Innkeepers) to neo-Seventiesploitation (the cult thriller The Sacrament). But go back to his best-in-show entry from 2009, The House of the Devil, and you’ll see he has a knack for paying homage to old staples of disreputable cinema without simply plagiarizing them. Part pomo final-girl scares and part vintage “Satanic Panic” nightmare, the movie proved you could still have your Caro syrup-slathered cake and splatter it, too. West wasn’t interested in giving viewers an academic thesis on primal-screen film history so much as engaging in a conversation with it while goosing and grossin

 When a young priest performs an exorcism in the cold open of “The Exorcism of God,” there’s a fine line between pleasure and pain. Sometimes feeling like a Cliff Notes version of William Friedkin’s 1973 masterpiece, “The Exorcist,” the movie draws on the audience's foreknowledge and expectations to craft its story. In the middle of the night, Father Peter Williams (Will Beinbrink) is led to a house where a young woman, Esperanza (María Gabriela de Faría), is strapped to a bed. Drenched in sweat and dirt, the woman pulsates with chaotic sexual energy. When he throws holy water on her, she arches her back. Her physicality beckons him to sin against all judgement, against all reason. After this pivotal scene, the movie flashes forward 18 years later, and Father Peter Williams still lives in Mexico where he continues his humanitarian work. His flock considers him saintly, perhaps even magical. The Vatican treats him as a shining star, the future of the Church. He harbors a dark shadow

It’s not often that a movie like this, with Ryan Reynolds, comes around, right? A lot of people have seen Reynolds as the bad boy thanks to movies like Van Wilder and Deadpool, and they’re not wrong, since he hasn’t been the biggest presence in family movies apart from a couple of voice roles that have been enjoyable and appreciated. The Adam Project feels like a step above a family movie, but not a big one since the level of violence is still a bit cartoonish, even though the choreography during the fight scenes is easy to get into since the weapons that are used are kind of fun. The whole idea is one that a lot of people might debate when it comes to time travel considering that ever since Avengers: Endgame came along, a lot of people have been wondering if everything they’ve seen since Back to the Future is realistic or not, or if the idea of time travel in the movies is simply a lot of hooey that is purely fiction without ANY real-life implications. Yes, it’s still a debate that pe

 In honor of Women's History Month, I am happy to present the dynamic female writers for Women Writers Week 2022. We are featuring their articles and reviews all week, and wanted to acquaint you with each of them in this annotated table of contents. Here are our featured writers in alphabetical order, accompanied by links to each of their articles published (and, in some cases, republished) this week...  BETH ACCOMAND Beth Accomando covers the arts and pop culture in San Diego for KPBS. She is also host of Cinema Junkie podcast where she shares her addiction to film and, with her Geeky Gourmet videos, her love for making themed food to go with movies. She also creates programs films through Film Geeks San Diego. SARAH KNIGHT ADAMSON Sarah Knight Adamson is an entertainment freelance writer and the weekly film and TV critic for the nationally syndicated radio show Hollywood 360 Radio Network; she’s heard on 90 Salem Radio Network News/Talk stations, including WNYM-New York, KRLA-Los

 Batman is the gift that keeps on giving, and ever since Tim Burton’s Batman (1989), the only notable hiatus for the caped crusader was the eight-year gap between the franchise-killer Batman and Robin (1997) and Christopher Nolan’s trilogy-opening reboot Batman Begins (2005). Since Adam West’s theatrical outing, we’ve had 12 movies that have featured Batman (we’re not counting 2016’s Suicide Squad, in which Ben Affleck’s Batman only appears for a few minutes, nor are we including 2019’s masterpiece, Joker, which includes a young Bruce Wayne). Spanning those 12 movies are seven actors who have portrayed Bruce Wayne and his crime-fighting alias, Batman — Adam West, Michael Keaton, Val Kilmer, George Clooney, Christian Bale, Ben Affleck, and now, Robert Pattinson. You might be surprised, though, to learn that there were two live actors who donned the cape and cowl even before the late Adam West did back in the ’60s (Lewis Wilson and Robert Lowery)! However, we’re only including every Batm

 You know studio movies are in a rut when, amid endless Spider-Bat sequels, you find yourself longing for the likes of such escapist 1980s offerings as “Romancing the Stone” and “King Solomon’s Mines.” I can’t be the only one who’s been craving a good old-fashioned treasure hunt, where the leads throw sparks and the ladies’ makeup never smudges, no matter how close to the volcano they get. After a long stretch without such a big-screen Hollywood adventure movie (at least, not one without ties to a video game or theme park ride), “The Lost City” makes for welcome counter-programming. The story was producer Seth Gordon’s idea, but credit siblings Adam and Aaron Nee (who tested the waters with their Mark Twain-inspired “Band of Robbers”) for sprucing up the formula, while Sandra Bullock and Channing Tatum supply the chemistry. Bullock plays brainy romance novelist Loretta Sage, who’s lost her inspiration since the death of her husband, an archaeologist who might have been onto something.

 If he thought about it, Briggs (Channing Tatum) might believe that the injuries from his service as an Army Ranger have taken everything he had and everything he needed. But he does not think about it. Despite his doctor’s warnings that he has some permanent impairment, he's determined to get back into the Rangers. Service gives him structure, purpose, fellowship, and enough adrenaline to not have to think about the many things he doesn't want to think about, including how much more there is still to lose.  Briggs needs sign-off from an officer to be readmitted to the Rangers, who call themselves “the Army's premier direct-action raid force.” He has been repeatedly turned down. Finally, an officer says he will authorize Briggs’ reinstatement if he will perform one task, delivering an Army dog to the funeral of a veteran who served with Briggs. The dog is Lulu, a sweet-faced Belgian Malinois who performed many brave rescue operations, but who now is so severely traumatized

 At this point, the “Pixar movie” stereotype has become a meme: People go into the animation studio’s projects expecting a family-friendly story focused on nonhuman protagonists given surprising depth and powerful emotions. There are exceptions, but historically, Pixar has carved out this channel of storytelling for itself, then perfected it. But with a new wave of filmmakers stepping up, Pixar is breaking its own mold. 2021’s Luca is the perfect example, as a lower-key film built around subtle, understated interactions, instead of constructing big drama on the way to an emotionally shattering climax. Turning Red, which bypasses theaters in the U.S. for Disney Plus, continues the trend. Domee Shi, who directed Pixar’s short film Bao in 2018, creates something special with this project, a deeply personal film that speaks to universal themes. With Turning Red, Shi gleefully celebrates early adolescence, a time of life often portrayed as awkward and cringey, and she revels in extensive cu

 The musical chairs of friends and foes is underway again at China’s theatrical box office The musical chairs of friends and foes is underway again at China’s theatrical box office, with South Korea seemingly back in the game while Hollywood and Bollywood could be out of luck for the foreseeable future. On Dec. 3, South Korean family comedy Oh! My Gran, produced by Seoul-based Big Stone Pictures, opened theatrically in China. The movie is the first Korean title to show on Chinese screens since 2016, when Seoul installed a U.S.-made missile defense system, known as THAAD (Terminal High Altitude Area Defense), on the Korean peninsula, infuriating Beijing leaders who viewed the installation on their doorstep as an affront to China’s regional sovereignty. Chinese regulators retaliated by blocking their massive market from all Korean film imports — a move meant to hit the country’s surging culture industry where it hurts. Oh! My Gran’s release carries more symbolic significance than it does